Band Hand Book


If Better Is Possible, Then Good Is Not Enough!

STUDENT HANDBOOK
 (2018-2019)

A STATEMENT OF POLICY

In order to assist band members and parents in understanding areas of responsibility, a statement of band policy is herein set forth.  Becoming familiar with this policy will enable each individual to make the most of this great opportunity to be a member of the Clover Middle School band program, becoming a better person and a better musician.

We firmly believe that the student should improve through regular practice.  In the Clover band program we feel that when the student has lost the will to improve him / herself or make a better contribution to the band, he is wasting the time and efforts of his / her fellow members and the community by continuing in this program.  The HAPPIEST student is the one who is improving through regular habits of practice and daily progress.  He / she must not only know right from wrong, but must be able to stand for principles.  He / she must develop a high sense of purpose toward which he / she is willing to work.  RESPONSIBILITY is the focus behind any level of achievement within this program.  We intend to conduct ourselves in a manner that will facilitate all students in learning and bettering themselves. 


OBJECTIVES OF THE BAND PROGRAM

·         To teach music by its actual performance

·         To develop performance skills of the various wind and percussion instruments

·         To provide for the musical needs of the school and the community

·         To acquaint the students with Music Theory / History and how history and musical composition relate to students’ current life and musical experiences

·         To provide all students with the opportunity for worthy use of their time, a means for self-expression, and a healthy social experience

·         To develop the ability to function as a responsible member of a group, enhance      interaction, and develop Esprit de Corps

·         To foster leadership skills within each student



Did You Know…
There is no substitute or replacement for music making as it relates to the positive growth and development of the human mind, body and spirit. Participation in music avails the musician to the infinite journey of creative expression connecting to a language (music) that is understood, communicated and appreciated by all of mankind around the globe. More importantly, music is a place for everyone. Breakthrough research continues to point to "the study of music" as a key factor in the positive growth and development of every young person.
Research confirms that music education at an early age greatly increases the likelihood that a child will grow up to seek higher education and ultimately earn a higher salary.
Tim Lautzenheiser’s,
An earlier Harris study shows significantly higher graduation and attendance rates in schools with music programs (90.2 percent compared to 72.9 percent and 93.3 percent compared to 84.9 percent, respectively). Other studies show the value of music programs to our future generations:
  • Students in top quality music programs scored 22 percent higher in English and 20 percent higher in math on standardized tests mandated by the No Child Left Behind Act (University of Kansas)
  • In 2006, SAT takers with coursework in music performance scored 57 points higher on the verbal portion of the test and 43 points higher on the math portion (The College Board, Profile of College-Bound Seniors National Report for 2006) 

GENERAL CALENDAR OF EVENTS (See back for detailed schedule)
July / Aug:       Band Camp (select 8th graders)  January:       All State Auditions
                                                                                                Region Auditions
                        School starts                                                    Winter Ensemble Comp.

September:      Small Ensemble Practices          February:      All County Band
                        Marching Competitions                                  Honor Band Clinics
                        Auditions for Honor Band                             Winter Ensemble Comp.
October:          Football games                           March:          All-State Band
                        Honor Band Rehearsals                                  BOA Nat. CB Festival
                        Chair Auditions                                              Winter Ensemble Comp.
November:      MS Honor Band Clinics                    
                                                                        April:               Auditions
                        Honor Band Clinic                                          Chamber Concerts
December:       Winter Concert                                               Spring Break
All-County Auditions             May:           Spring Concert                                                                                                                                Clinics                                    

BAND CURRICULUM IN BRIEF

6th Grade Beginning Band
Beginning Band is open to all students during the 1st 9 weeks of each year with parent permission. The beginning band will be comprised of students with the performing ability necessary to play level I literature. Previous musical training and music reading is of course helpful, but not necessary. Students will have after school rehearsals when necessary for concert preparation.

 7th Grade Concert Band
Concert Band is open to students at an intermediate level of development. Students should be proficient in music reading, scales, tone production, and articulation. All of the basic techniques that were introduced in Beginning Band are further developed in Concert Band. The Concert Band will be comprised of students with the performing ability necessary to play level I-II literature. Greater emphasis is placed upon performing band music of an intermediate level. Private lessons are a great help at this level since class size and performance commitments limit the amount of individual instruction a student receives. Students will have after school rehearsals when necessary for concert preparation.

 8th Grade Symphonic Band
Symphonic Band is open to only the most proficient students who have demonstrated ability to perform more difficult music. The concert band will be comprised of students with the performing ability necessary to play level II-III literature.


 7th and 8th Grade Honor Band
The honor band is the primary performing organization in the instrumental music department during the winter and spring.  Membership is by audition only. (Auditions are held in late August early September.) Instrumentation is a consideration when selecting students for Honor Band. In addition, a student must have a proven record of reliability and good conduct in order to be considered for the Honor Band. The skills learned in Beginning and Concert Band are further refined, and additional scales and more difficult exercises are learned. Private lessons are highly recommended. Private teachers can help with preparation for All-County Band, Region Band and All- State Band auditions, preparation of difficult band music, selection and preparation of Solo and Ensemble music for performance at Solo and Ensemble, and Concert Performance Assessment. Students will rehearse after school weekly to prepare for upcoming performances throughout the year. The Honor Band will be comprised of students with the performing ability necessary to play level II-IV literature.






Marching Band (Select 8th Grade Students with Directors Approval)
Membership in the marching band requires strenuous physical exercise and the ability to play the difficult literature encountered in the activity Membership is by audition only. Auditions will take place in Late April early May. The pre-requisite for this ensemble is to attend the summer band camp and to be selected by the CMS band director. At band camp all students will be assessed for a spot in the marching drill. (A spot is not given it is earned.) The marching band performs in the fall.

Jazz Band
Students may elect to audition for jazz band.  The jazz band plays for community events and performs throughout the fall and spring. Jazz band will rehearse before school and after school throughout the year. A variety of musical styles, including Swing, Jazz-Rock, Latin, and Ballads, will be performed using a traditional “Big Band” instrumentation. Membership is by audition only. (See Mr. Gibson if interested.)

Jazz Combos
Students may elect to be a part of the jazz combos.  The jazz combo plays for community events and performs throughout the fall and spring. Jazz combos is held throughout the school year. Some experience necessary.

Chamber Ensembles
During the fall and spring, chamber ensembles will be formed.  ALL band members will be encouraged to perform in a chamber ensemble.  Possible groups would be woodwind quintet, brass quintet, saxophone quartet, horn ensemble, trombone quartet, low brass ensemble, flute choir, clarinet choir, percussion ensemble, as well as, additional small groups.  There will be a chamber concert in the spring and opportunity for performance at the SC Solo and Ensemble festival.

Color Guard (Select 8th Grade Students with Directors Approval)
Students who are interested in dance, choreography, and movement may choose to audition for our marching auxiliary unit. Auditions are usually held in April.

Percussion Ensemble
All band members may audition for percussion ensemble.  Students learn basic fundamentals on all the percussion instruments and will explore many styles and genres.  Rehearsals are held after school dates and times TBA. 

Winter Guard
Students who are interested in dance, choreography, and movement may choose to audition for our winter guard auxiliary unit.  Auditions are usually held in early November. This group will compete at several local competitions during the winter months.  Anyone can join. Rehearsals are held over the weekend after marching season dates and times TBA.



Indoor Drum-Line
All band members may audition for Indoor Drum-Line.  Students learn basic fundamentals on all the percussion instruments and will explore many styles and genres.  Anyone can join. Rehearsals are held over the weekends. Dates and times TBA. 

8th Grade Leadership Workshop
The leadership workshop prepares students to become effective leaders within the band program and beyond.  Students may elect to attend a leadership workshop by participating in the Clover Middle School leadership workshop in the spring.  This workshop is required of all students who wish to be considered for leadership.

Summer Instruction
There are several regional summer music camps at different local universities. Please contact Mr. Gibson if interested.

Private Lessons
As one might expect, private lessons on a musical instrument are the best way to improve performance skills.  The one-on-one approach allows the student to benefit from the individual attention as opposed to a teacher monitoring a class of over fifty.  A recent survey of students in the All-State Band revealed that approximately 80 % of the students in the band studied privately.  Students are generally more inclined to practice diligently for a weekly music assignment and this discipline increases the student’s enjoyment with their instrument.  The Clover Middle School Band Director will be more than happy to assist in the selection of a private teacher.   
                                                                                                                                               All-State, Region, and All-County Band
Members of the band program are eligible to audition for the SC All-State and Region Band.   Auditions are held in January.  The region band clinic is held at Nations Ford High School (locations and Times TBD) and the All-State Clinic is held at Furman University.  More information will be provided closer to auditions.

Instrument Selection
Beginning Band students will have an opportunity to try out several instruments. Selection of instrument is based upon student interest, physical characteristics (formation of lips and teeth), rhythmic coordination (percussion instruments), and instrumentation requirements (the number of students playing each instrument must be kept within reasonable limits in order to be able to perform the music written for the modern band).

Instrument Assembly, Care, and Maintenance
Proper assembly and care are necessary to minimize repairs and frustration caused by a malfunctioning instrument.





Tone Production
This includes all of the elements necessary to produce a musical sound on a wind or percussion instrument. Embouchure (the way the lips and facial muscles are used and applied to the mouthpiece), use of air, and concept of correct sound for a given instrument are learned.

 Articulation
Articulation involves the correct use of the tongue in playing an instrument. It is very similar to pronunciation in speech.

Music Reading
After students can demonstrate basic tone production and articulation concepts, music reading is introduced. Students are introduced to notes and rhythms gradually. Students only learn notes and rhythms they are able to play and apply. New notes and rhythms are added as control improves. Music reading involves learning the name of the note, the sound of the note (pitch), the duration of the note (rhythm), and the fingering of the note on the instrument. It is essential that students practice daily, to avoid getting behind. Each skill builds on the last skill, so progress depends upon keeping up.

Ear Training
The ability to discriminate pitch, to play in tune with others, and to hear a musical line is a skill that can and must be developed by music students. Students can learn to play in tune, understand and appreciate good tone quality, and learn to blend and balance their sound with their fellow musicians. Most students have quite good natural pitch perception; musicians develop an above average awareness of the sounds around them by learning to listen critically.

Scales
Students will learn 7 major scales in Beginning Band, up to 9 in 7th grade band and all 12 major scales by 8th grade band. Students will also be able to write and label each of their scales. Almost all music is based upon some kind of scale. Knowledge of scales is essential in learning to play an instrument. Percussion students learn scales on the mallet instruments, and in addition learn rudiments- exercises that build coordination and control necessary to play percussion parts.












MERIT SYSTEM
            After/Before School Practice (personal or scheduled)           2 points
            Private Lessons                                                                       2 points per lesson
            Region Band Audition                                                           3 points
            All-State Audition                                                                  4 points
            Region Band Member                                                             5 points
            All-State Member                                                                   6 points
            Solo and Ensemble                                                                 2 points per event
            Leadership Workshop                                                             2 points
            Jazz Band                                                                                2 points per rehearsal
            Outside Clinics                                                                       2 points
            Concert Band (evening rehearsals)                                         2 points per rehearsal
            Marching Band                                                                       2 points per rehearsal


DEMERITS

Excessive Talking                                           10 points

Unexcused Missed Rehearsal                         20 points

Tardiness                                                         2 points per ten minutes

Missing Materials / No Instrument                 10 points

Missed Performance                                       40 points

*The top 10 individuals will attend the merit dinner at the end of each semester.


MAKE – UP FOR UNEXCUSED ABSENCES
Students will make-up unexcused absences by doing one hour of supervised practice per absence or a written paper. Mr. Gibson will determine on a case by case basis.

TARDIES TO HONOR BAND
Students will serve the amount of time of their tardiness at the conclusion of rehearsal.










ATTENDANCE POLICY
THE ONLY EXCUSABLE ABSENCES ARE PRE-ARRANGED* SCHOOL CONFLICTS AND THOSE THAT WOULD BE EXCUSED BY THE SCHOOL FOR REGULAR ATTENDANCE RECORDS, I.E. ILLNESS, DEATH IN THE FAMILY, RELIGIOUS HOLIDAY.

*Individual needs will be addressed as they occur.  This system is subject to modification  
  by the director.

NO SHOWS!              The student will have 40 demerits and will receive a 0 for participation for the day or a 0 for all performances missed.           

For ALL absences, the following procedure must be followed by the student and parent:

·                     Director must be notified in advance.(2 days)

·                     An absentee request form must be filled out and on file. (located in band office ask director for more information)

·                     For illness, a parent note or doctor’s excuse must be submitted.

·                     Although cleared by the school office, absences from a band activity that same
day must be cleared with the director as well – please call the band room or email the director.

·                     In extreme cases, a phone message may be left on the band answering machine, with a follow-up personal call.

·                     Follow-up is the sole responsibility of the student!

The mere filing of an absentee request form does not constitute whether an absence is excused.  The above policy is cut and dry in regards to what is excused.


CONFLICTS WITH BAND              
Conflicts between band and other activities or events are the responsibility of the student.  Rehearsal and performance schedules are given out in advance (via website/news-letters etc…) so that arrangements can be made.  Students should not become involved with activities that may directly conflict with band activities.  When outside activities create hardships concerning band, unless it is a rare and unusual situation that may only happen once, the student will need to consult with the director about alternatives that may be possible.  Students should have a calendar and be aware of all band dates well ahead of schedule.  It is the policy of the band to assist students when conflicts occur within the scope of the band policy.  Students are reminded that band is a very demanding activity and that involvement in outside activities should be limited to those that are compatible with the band schedule.  All conflicts in regards to performances must be worked out in favor of the student’s responsibility to band. 

GRADING POLICY
Grades are assigned for the band class and performances, which are co-curricular. 

Class participation/HW:          40%     This includes after school rehearsals which are on
                                                            the schedule.  Students must have their instruments
                                                            every day, a pencil at every rehearsal, and show
                                                            maximum effort to earn the best grade.

Auditions,                               60%     It is the student’s responsibility to turn in all
Performances,                                     assignments, prepare for auditions, and make
Sectionals,                                           all scheduled events.  Playing assignments for the
Festival Attendance,                                    school year will be SHORT and must
Rubrics, Self Assessments                  be submitted via email or in person. 

Quizzes                                               Quizzes will most likely be unannounced. Quizzes are designed to check work periodically during each semester to measure progress in class.

DUTIES OF THE BAND MEMBER

·         Be on time to all rehearsals and performances.  EARLY IS ON TIME – ON TIME IS LATE.
·         Upon entering the rehearsal setting, acquire your instrument and go directly to your seat.
·         When the director or staff member steps on the podium or asks for your attention, all talking
should cease.
·         Come to rehearsal with a GOOD ATTITUDE.
·         There is no excess playing (i.e. horsing around on the instrument); only good solid material.
·         Make a real effort to improve on a daily basis and establish a good practice routine.
·         At the end of rehearsal, put all materials in their proper place.
·         Maintain a strong academic standing in all course work.
·         Become responsible for and assume responsibility for your own actions.  Admit when you are wrong.
·         Have a proper respect for yourself and those in authority.
·         Read and play music with insight – have musical expectations.

THE IMPORTANCE OF ATTITUDE
The greatest single factor that will determine the success of any individual or organization is attitude.  The kind of person that you are is an individual choice and how we feel about something, which involves attitude, is one of the few actual independent choices that we have in life.  It takes intense dedication to reach goals.  Students should learn to discipline themselves to daily practice on fundamentals.  The “right attitude” must be present along with sincerity, concentration, and dedication as the basic foundation.  Such an attitude makes an artistic performance inevitable and is the difference between a winning organization and a mediocre group.  The band can do much for you.  Make the most of it in every rehearsal and performance.





THE IMPORTANCE OF DISCIPLINE

Because of the nature of the organization, band discipline must be strict!  Band students and parents must believe in the ideals, principles, and philosophy of the organization.  Each member must always be aware of good behavior and think for himself.  Any misconduct casts a bad light on the school, community, and band program.  Any member who casts discredit to the organization by his/her conduct or actions in band, in another class, or on a trip, shall be subject to dismissal from the band program or may lose a privilege within the program.  This may include the chance to go on a spring trip.  This decision will be at the director’s discretion.

PARENTS’ RESPONSIBILITY TO THE BAND

It is the responsibility of every parent and guardian to see that the policies outlined in the HANDBOOK are followed and that the form in the back is signed and returned.  This states that you UNDERSTAND the policies as set within, and that any questions are to be directed to the band director by making an appointment.  Each parent IS responsible for the attendance of his/her child at all band functions.  It is the responsibility of each parent to see that their child practices his / her instrument daily.  The hands of the directors are tied without the help of parents. 

HOW PARENTS CAN HELP
When a “band question” arises, it is important that you get factual information before discussing it with others.  We do more harm to ourselves, the band family, when we talk about things that contain one or more “falsehoods” but consider them facts.  If questions arise, it is important to remember this axiom: If it is a performance issue or anything dealing with the band proper, contact Mr. Gibson.
Show an interest in the music study of your child.
·                     Arrange a regular time for your child to practice.
·                     Find a quiet place where he/she can practice without interruption.
·                     Listen to performances of practice material, when asked to do so.
·                     Help the student keep a DAILY RECORD of practicing.
·                     Come up with a reward system for DAILY practice.
·                     Keep the instrument in good repair and keep at least three reeds in the case; get a metronome!
·                     Be extra-careful with school-owned instruments.  Repair costs are high!
·                     Teach your child to be prepared and on time to each rehearsal or lesson.
·                     Provide private instruction.
·                     Make faithful attendance at all band activities important.
·                     Buy your child a personal planner for marking important dates.
·                     Keep the handbook in a safe place and refer to it often.
·                     Notify the teacher if the student is to be absent for rehearsals or lessons.
·                     Double-check behind the student to make sure that they have their instrument.
·                     If student is absent, make sure that their folder gets to school, if they share it with someone.
·                     Visit rehearsals occasionally.
·                     Attend parent meetings, concerts and contests.
·                     Turn in fundraising money on time.




STUDENTS’ RESPONSIBILITY TO THE BAND

As members of this organization, you have a great deal of responsibility.  It is essential to any program that if certain expectations are to be met that they coordinate with the privileges, rewards, and duties of the band program.

TO OURSELVES
YOU have the primary responsibility of developing your own abilities.  The benefits of a good instrument and private instruction can never be underestimated.  What you put into it is what you will get out of it.  The director is ALWAYS available for your guidance and encouragement – just ask!

TO THE SCHOOL
Clover School District provides us with the resources for rehearsals, performances, and equipment. WE have the responsibility to provide the best possible services to our community.

TO MUSIC
Music has always been a part of our culture.  We must take what we have and use it for the betterment of that culture.  No one expects virtuoso musicians, only your very best!  The great composer Gustav Mahler once said that only 10% of a piece of music is on the page.  If that is the case, then we as musicians have the duty of creating and producing the other 90%.  The joy of music is not in everything that is apparent.  It must be discovered and created.

TO EACH OTHER
 We must always do what is best for the WELFARE of the group.  There can be no selfish acts solely for the benefit of the individual, but for all.  Respect each other.  If there are conflicts, find a way to resolve them.  Never insult another band member’s integrity.  The word “band” means that we are banded together and that there is no separation.


RULES AND PROCEDURES
Miscellaneous
·                     Chewing gum is not permitted during a rehearsal or in the band room.
·                     Food and drink are not permitted in the band room.
·                     No hats or sunglasses inside the building.
·                     Be in your seat, warmed up, and ready to begin on time.
·                     Respect authority and others, including their personal property.
·                     Drinking and drugs are STRICTLY PROHIBITED.  All school district policies regarding such are in force during any band activity.
·                     All school rules, including no smoking, will be enforced.
·                     Students are required to remain with the band after performances and will dismiss as a group. 
·                     Young adults shall not damage property or equipment.
·                     Bus lists will be posted before each trip.
·                     Fundraising materials will be collected by the band director and given to the financial secretary at Clover Middle School.   Be sure to include your name, the dollar amount, and the activity on the outside of the fundraising envelope.
·                     If you share a folder and are absent, make sure it gets to school.
·                     Students may practice in the band room before school, after school, and during lunch.


BAND TRAVELING
·                     If a conversation can be heard in the front of the bus, it is TOO LOUD!
·                     There will be no hanging out of or talking out of bus windows.
·                     Please lower the volume level considerably when entering towns or stadiums.
                This is for your safety, is courteous to the bus driver, and an act of class!
·                     Please keep the bus clean; pick up after yourselves and always thank the chaperones and driver!

HOTEL SITUATIONS
·                     Parents and students will be responsible for paying for any incurred charges, including lost
room keys.
·                     Rooms are to be locked at all times.
·                     There will be no one of the opposite sex in your room, unless accompanied by a chaperone – this is school district policy!
·                     Please refrain from playing instruments in the room.
·                     All school rules will be enforced on trips.
·                     All students should realize that any personal desires or uniqueness may have to be put aside for the duration of the trip in order to facilitate large group control and management.
·                     No one is to leave the hotel alone.  Any student found leaving the premises without permission will be dealt with severely.
·                     Profanity is not a part of our organization!  Make sure your language is not offensive.
·                     Band members are expected to be at the right place, at the right time, ready to go.

COMPETITIONS/FESTIVALS
Competitions are special events where we get to perform for a sophisticated audience and very competent judges.  WE ARE THERE TO DO OUR BEST – NOT TO WIN!  If we do our best, then everything will take care of itself.   Specific information is given prior to competitions as to directions, departure and anticipated return time.  All parents are encouraged to attend competitions and support the band.  Students may use the band phone to call following a trip.  Parents, PLEASE COME IMMEDIATELY when called.

HONOR BAND

AUDITIONS
Both in September and May, there will be auditions to determine chair or band placement.  Auditions will be announced well in advance and will consist of scales, technique, a required solo, sight-reading, tone and range.  The auditions in September and May will be judged by the director.  In some cases, a student on a brass instrument with a higher score may be put on a lower part to achieve balance or to allow a younger student to develop his / her range.  If this is the case, the student will be informed of the reason for his / her placement. 

EVENING PRACTICES
There will be honor band practices on select evenings as scheduled in the Master Schedule.  The  Honor Band will rehearse from after school (on an as needed basis for Honor Band throughout the year.)

MUSIC PASS – OFFS
To pass-off assigned material, the player must successfully demonstrate to the director or designated student assistant his / her ability to perform it.  Every note and rhythm must be perfect, though standards will be adjusted to fit the level of musician.  For example, a 6th grader AFTER WORKING HARD may be able to play an assignment note perfect and up to tempo, but with weak intonation, poor tone, and style.  The flaws would be pointed out to the individual, but would be passed off.  On the other hand, an 8th grader might have done VERY LITTLE WORK, but still could play the assignment note perfect, up to tempo, with better tone, intonation, and style, and still be asked to go back and perfect the assignment.


CLASSROOM PROCEDURES

REHEARSAL PROCEDURE
·                     You must be in your seat when the bell rings; a downbeat will be given two minutes after the bell.  During the two minutes you should move to your seat, obtain music, a music stand, and a pencil, and begin warming up for the day’s rehearsal.  Make sure you have extra reeds. Percussionists should set up all equipment and music during the warm-up.  Announcements will be made at the beginning or end of class and will also be written on the board.

·                     Talking will not be tolerated during a rehearsal. 

·                     The purpose of rehearsal is for you to learn the parts of others and how they relate to yours, not to learn your individual music!

·                     If you must leave your seat for any reason, please ask.  Restroom breaks should be taken between
                classes.

·                     In your individual warm-up, it is important to do each of the following on a daily basis:
               
                LONG TONES
            LIP SLURS
            SCALES             
THE DAILY ASSIGNMENT


MATERIALS GRADE
Each student should have the following items in class everyday:
·                     a sharpened pencil
·                     your instrument (sticks, mallets)
·                     your music and folder
·                     at least three reeds (clarinets and saxophones)
·                     at least two reeds (oboes and bassoons) and water canisters for soaking.
From time to time during the school year you will receive a materials grade.  If you have all the items listed above, you will receive a daily grade of “A.”  Your grade will be lowered one letter for each item you are missing.  The easiest way to avoid this is to have everything that you need, at all times!


SCHOOL-OWNED INSTRUMENT POLICY
Each student who uses a school-owned instrument is completely responsible for the care of the instrument.  If an instrument is damaged due to negligence, the student is responsible for the entire cost.  An instrument check-out form must be filled out and on file with the director.

LOST MUSIC
Each student will be assessed a $2 fee for each missing piece or torn music.  See librarians or the director for any problems concerning music.








USE OF THE BAND FACILITY

BANDROOM
The use of band facilities before, after, and during school is a privilege.  Students who abuse the facility will be disciplined accordingly.  Any abuse or damage will be considered vandalism.  NO OUTSIDE STUDENTS ARE PERMITTED IN THE BANDROOM except for business with the director.  There will be no horseplay, i.e. throwing of things, running in or around the band room.  All percussion equipment is off limits to anyone not specifically designated to use them.  No storing of personal items – THE BANDROOM IS NOT A LOCKER!

PRACTICE ROOMS
Practice rooms are to be used for practice or private instruction.  Keep the room neat with the appropriate music stands in place.

LIBRARY, BAND OFFICE, PHONE
The library is private and is to be used only by the library staff.  Materials may be checked out through the librarian; this includes Solos, Ensembles, and Etude Books.  The band office is private and is not to be entered by any student without permission from the director or a staff member.  All students should keep in mind that this is a place of business.  If the door is shut, knock first.  Telephone use should be kept to a minimum and is not for personal use.  Ask permission before using.


PRACTICE
As with any activity, you get out of it what you put into it.  Band will not be “FUN” unless you practice!  There are many values in the study of music as a discipline that transfer to other areas of life.  Although this will not immediately happen, persistent practice will lead to enthusiastic, driven practice.  Remember: “Perfect Practice makes Perfect!” Here is a suggested plan of study:

Pick a set time each day                                                    Use a tuner for a portion of your practice session
Have an acoustically dry place of practice                    Increase dynamic range (work on pianissimo)
Use our daily warm-up & think “tone”                           Increase endurance (15 minutes of full tone playing)
Play some form of scales at every practice session      Increase range (highest note with good tone)
Take a break every 20 minutes                                        Use a metronome for part of the time
Work on technique (articulations, accents, etc.)            “I will start with ___ minutes and increase to …......
Practice sight-reading                                                          Use the practice record on the NEXT PAGE!!!

LETTERS, CHEVRONS, AND STARS
Students who qualify will receive a “letter or chevron” by meeting the following requirements:

·                     Have a 93 or above average in band.
·                     Pass off all required material.
·                     Must be in band for one years; letter received at end of 6th , 7th , or 8th  grade year.
·                     Audition for County and / or Region auditions.
·                     Must attend all performances unless extenuating circumstances prevail.
·                     Must have no major disciplinary actions taken against you.
·                     Two hours of volunteer work in band room.

Stars are reserved for student leadership members.







EQUIPMENT NEEDS

PERCUSSION ACCESSORIES
Each percussionist should have the following materials as specified by the band director/ percussion instructor:

A pair of marching sticks
A pair of general snare sticks
A pair of general timpani mallets or staccato mallets
A pair of rubber xylophone mallets, Musser Blue or Musser Green
A pair of yarn mallets, DS 16 or DS 18
A triangle beater
A pitch pipe, F – F or C – C
A stick bag

*Percussionists who neglect school owned instruments will pay the full amount for any damage.

INSTRUMENT AND MOUTHPIECE UPGRADES

MOUTHPIECES

CLARINET                                                          Vandoren B40 or B45 M15 M30 mouthpieces
                                                                                DEG Barrels
                                                                                Rovner Ligatures

SAXOPHONE                                                      Selmer C*

TRUMPET                                                            Bach 3C or 1 ½ C

HORN                                                                    Schilke 29 or 30

TROMBONE                                                        Bach 6 ½ AL
                                                                                Schilke 51 or 51 D

TUBA                                                                    Helleberg 120 S
                                                                                Bach 18

INSTRUMENTS (Intermediate and Professional Models)

Piccolo                   Yamaha YPC 62                                
Flute                       Yamaha 581 H                                   
Clarinet                  Buffet R-13                                         
Oboe                      Loree or Fox 400                                                                
Bassoon                Fox Renard 220 or 222                     
Saxophone           Old Selmer Mark VI or Yamaha Custom
Trumpet                Bach Stradivarius
Horn                       Paxman M20 or Holton 179
Trombone             Bach 42 B, BO or Edwards
Euphonium           Yamaha 321 – S or Willson
Tuba                      St. Petersburg or Perantucci

METHOD BOOKS FOR CLASS
6th grade – Essential Elements Book1
7th grade- Essential Elements Book 2
8th grade – Foundations for Superior Performance
ADDITIONAL METHOD BOOKS (NOT REQUIRED BUT SUGGESTED)

FLUTE                                                                   Rubank Intermediate Method
                                                                                Rubank Advanced Method
                                                                                Altes Method
                                                                                Art and Practice of Modern Flute Technique – Kincaid
                                                                                Eck Method / Practical Studies / Tone Development

CLARINET                                                          Rubank Intermediate Method
                                                                                Rubank Advanced Method
                                                                                Klose Celebrated Method for Clarinet
                                                                                Rose: 40 Studies for Clarinet, Book I
                                                                                Melodious and Progressive Studies – Hite

OBOE                                                                    50 Classical Studies for the Oboe - Joppig
                                                                                Rubank Advanced Method
                                                                                Andraud Practical and Progressive Method
                                                                                Barrett Oboe Method

BASSOON                                                            Rubank Intermediate Method
                                                                                Rubank Advanced Method
                                                                                Weissenborn Practical Method for Bassoon
                                                                               
SAXOPHONE                                                      Rubank Intermediate Method
                                                                                Rubank Advanced Method
                                                                                Universal Method for Sax – DeVille
                                                                                Gatti:  35 Melodious and Technical Exercises

TRUMPET                                                            Rubank Intermediate Method
                                                                                Rubank Advanced Method
                                                                                Arban Complete Conservatory Method
                                                                                Herbert L. Clark Technical Studies
                                                                                Schlossberg Daily Drills and Technical Studies

HORN                                                                    Rubank Intermediate Method
                                                                                Rubank Advanced Method
                                                                                Kopprasch – Sixty Selected Studies for Horn (Vol. 1 & 2)
                                                                                Concone – Lyrical Studies for Horn or Trumpet
                                                                                Practical Studies – Getchell

TROMBONE / EUPHONIUM                          Rubank Intermediate Method
                                                                                Rubank Advanced Method
                                                                                Rochut Melodious Etudes Book I and II
                                                                                Arban Method for Trombone / Euphonium
                                                                                Schlossberg Daily Drills
                                                                                Clark Method for Trombone / Euphonium

TUBA                                                                    Rubank Intermediate Method
                                                                                Rubank Advanced Method
                                                                               






SUGGESTED RECORDINGS

Just as the blind child cannot paint a picture of the sunset, an instrumentalist cannot duplicate a characteristic sound on their instrument without an appropriate model to emulate.  Below are suggestions of artists for each instrument.  Every student in the Forestview band program should own at least one recording of the following artists:

                FLUTE                                                   Jean-Pierre Rampal, Jim Walker
                CLARINET                                          Harold Wright, Larry Combs
                OBOE                                                    Joseph Robinson, John Mack
                BASSOON                                            Bubonic Bassoon Quartet, Christopher Millard
                SAXOPHONE                                      Jean Rousseau, Joseph Lulloff, Steven Mauk
                TRUMPET                                            Phil Smith, Adolph Herseth
                HORN                                                    Dale Clevenger, Dennis Brain
                TROMBONE                                        Joseph Alessi, Christian Linberg
                EUPHONIUM                                      Brian Bowman, Roger Behrend
                TUBA                                                    Arnold Jacobs, Sam Pilafian
































                 Letter of Mutual Consent

I, the undersigned student, accept membership in the Clover Middle School band and understand that I am responsible for all the policies as set forth in the band handbook.  I fully agree to carry out my responsibilities to the very best of my ability.



__________________________________________            __________________
(Student Signature)                                                                   (Date)





I, the undersigned parent or guardian, have read and understand the policies as set forth in the band handbook.  I also grant full permission for my child to be an active member of the Clover Middle School band.  In addition, my child has full permission to attend all band functions.  Furthermore, I understand that I must meet all financial obligations for any trips the band may go on.



__________________________________________            __________________
 (Parent Signature)                                                      (Date)





(Fill out the information below to the best of your knowledge.  This information is to be kept in the band office if an instrument gets misplaced.)

Type of Instrument (s)            _____________________________________________

Brand/Model                           _____________________________________________

Serial Number                         _____________________________________________

Parent e-mail address              _____________________________________________

Parent Phone number              _____________________________________________

Parent Address                       _____________________________________________

*A STUDENT DIRECTORY AND MASTER SCHEDULE FOR THE YEAR ARE ALSO INCLUDED*